<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/588">
    <dcterms:title><![CDATA[The Tower of London ]]></dcterms:title>
    <dcterms:subject><![CDATA[Tower of London<br />
River Thames<br />
London, England<br />
Steamboats]]></dcterms:subject>
    <dcterms:description><![CDATA[1 Picture Postcard recto and verso.<br />
<br />
View of the Tower of London from the River Thames, featuring various boats.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Inscription on verso: <br />
Closely connected with England&#039;s history ever since it was built in 1078 by William the Conquerer. The Tower to-day is noted the wide world over for its famous Armouries, Crown Jewels, fearful Prison Chambers, and quaintly dressed Warders, all serving to connect the glories of the past with stern realities of the present. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Uknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Built in 1078 by William the Conquerer, the Tower of London is no longer in use. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[Gale &amp; Polden Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published 1900-1910.]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on the Tower of London, see http://www.hrp.org.uk/TowerOfLondon/.]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image, picture postcard with undivided back, 3.5 x 5.5. in.]]></dcterms:type>
    <dcterms:identifier><![CDATA[lp_tower_recto.jpg<br />
lp_tower_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/586">
    <dcterms:title><![CDATA[Execution of Lady Jane Grey.]]></dcterms:title>
    <dcterms:subject><![CDATA[Tower of London<br />
Lady Jane Grey<br />
Paul de la Roche <br />
Tower Green<br />
London, England]]></dcterms:subject>
    <dcterms:description><![CDATA[1 Postcard recto and verso. <br />
<br />
Lady Jane Grey awaiting her execution in the Tower of London. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[Inscription on verso:<br />
Lady Jane Grey entered the Tower of London as Queen on July 9th, 1553. Nine days later she was made a prisoner, and on February 12th, 1554, her fair head feel from the block on Tower Green.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Paul de la Roche.]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally painted by Paul de la Roche, the image is from a painting at the Tate Gallery of the same name.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Gale &amp; Polden Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published 1900-1910.]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on the Tower of London, see http://www.hrp.org.uk/TowerOfLondon/. ]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[picture postcard with undivided back, 3.5 x 5.5 in. ]]></dcterms:type>
    <dcterms:identifier><![CDATA[lp_exec_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/584">
    <dcterms:title><![CDATA[Henry VII Chapel, Westminster Abbey ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Henry VII Lady Chapel]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Henry VII<br />
Westminster Abbey<br />
London, England]]></dcterms:subject>
    <dcterms:description><![CDATA[1 picture postcard recto and verso.<br />
<br />
Interior view of Henry VII Chapel, Westminster Abbey, London England]]></dcterms:description>
    <dcterms:abstract><![CDATA[King Henry VII added the Lady Chapel in 1503 to Westminster Abbey. A lady chapel references a type of chapel dedicated to the Virgin Mary. The chapel is noted for its pendant vault ceiling, and was built in Perpendicular Gothic style. <br />
<br />
Inscription on verso: <br />
Dear Fräulein du Cliesne<br />
Here we are in London and on Saturday we sail for America. We all miss Dresden, and I still always remember the after that I spent with you shortly before be left. With love.<br />
Catherine Kinnear<br />
<br />
<br />
]]></dcterms:abstract>
    <dcterms:creator><![CDATA[The chapel&#039;s architect is unknown, but it is thought to be Robert Jayns, Jr., who is responsible for the design of much of the structure. ]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally built in the 10th century, Wesminster Abbey was expanded by King Henry VII in 1503 to include a chapel dedicated to the Virgin Mary.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Valentine&#039;s &amp; Sons Co. Ltd. ]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1908.]]></dcterms:date>
    <dcterms:references><![CDATA[For more information please see http://www.englishmonarchs.co.uk/henry7_chapel.html]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Picture Postcard with divided back, 3.5. x 5.5 in. ]]></dcterms:type>
    <dcterms:identifier><![CDATA[lp_henry_recto.jpg<br />
lp_henry_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/556">
    <dcterms:title><![CDATA[The Bus Driver, No. 12 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[London, England city life 1890-1898<br />
Victorian Period, <br />
Horse-drawn Omnibus, <br />
Public transportation in Victorian Period, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.  <br />
<br />
A bus driver directing an Omnibus,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 12 features a bus driver directing an Omnibus in  London and was created by artist Robert Sauber before 1900. These horse drawn carriages revolutionized transportation, yet still had some downsides.<br />
<br />
One account notes that: 	 <br />
&quot;Here we are ... in all six and twenty sweating citizens, jammed, crammed and squeezed into each other like so many peas in a pod...&quot;<br />
(New Monthly Magazine, 1833)]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the quote and history of omnibuses see: http://web.archive.org/web/20070609023652/http://www.ltmuseum.co.uk/learning/online_resources/ecobus_omnibus/pg/1829.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff12_bus_recto.jpg<br />
ff12_bus_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/553">
    <dcterms:title><![CDATA[The Soldier, No. 11 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Soldier, No.11<br />
Robert Sauber<br />
Victorian Period, <br />
London, England city life 1890-1889, <br />
English Soldier clothing and dress, <br />
Hyde Park, <br />
Women--clothing and dress, Victorian Period<br />
 Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso,<br />
<br />
 A lady and Soldier walking around Hyde Park,  London, England. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 11 features a British Soldier and lady and their child walking around Hyde Park. Centrally located within the city, Hyde Park has been very popular to Londoners for centuries.<br />
<br />
This view of Hyde Park promotes the historical significance of Hyde Park, operating as a site for middle and upper classes to see and be seen. It also promotes the soldier&#039;s chivalry, and the woman&#039;s kind nature. Additionally an afternoon stroll like such shows the growing prevalence of leisure time activities in daily life. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on Hyde Park see: <br />
https://www.royalparks.org.uk/parks/hyde-park]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff11_soldier_recto.jpg<br />
ff11_soldier_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. <br />
]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/552">
    <dcterms:title><![CDATA[The News Boy, No. 10 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Newspaper Boys 1889<br />
London, England, <br />
Victorian Period city life, <br />
Newspaper boy cap, <br />
Shaftesbury Memorial Fountain<br />
Eros, <br />
Flower Girls, <br />
Child Labor, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
News Paper Boy at the Corner of Shaftesbury Memorial Fountain,  London, England.]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 10 features a newspaper boy saying &quot;extra extra, read all about it&quot; referencing &quot;Terrible Slaughter Results All the Winners&quot; Title of that day&#039;s edition. Located at the Corner of Shaftesbury Memorial Fountain, this dynamic lithograph references child labor including newspaper boys and flower girls. It shows how people received information and communicated during the Victorian era.<br />
<br />
Additionally featured is the statue of Eros, completed by Albert Gilbert in 1893, this was a relatively new sight for Londoners in 1898. The statue also received a lot of controversy due its nude nature, and was the first sculpture to be cast in aluminum. Now a known symbol of London, this statue also references the emblem of Evening Standard newspaper.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
The statue of Eros located at the Shaftesbury Memorial Fountain is still standing. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the statue of Eros, see: http://www.british-history.ac.uk/survey-london/vols31-2/pt2/pp101-110]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff10_news_recto.jpg<br />
ff10_news_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/549">
    <dcterms:title><![CDATA[The “Coster” No. 9 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Coster<br />
London, England city life 1890-1889<br />
Women--clothing and dress, Victorian Period<br />
Food Vendor, <br />
London, England,<br />
Animal-Drawn Cart, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
A Coster on top of an animal-drawn vendor,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 9 shows &quot;costermongers&quot; on an animal drawn cart, selling fruits and vegetables. During the Victorian Period, there was a great many of them, so competition was fierce, typically using chants, and other tactics to be heard.<br />
<br />
Costermongers belonged to the lowest classes of society, but still had their own hierarchy of sorts. Costers with animal drawn carriage like in this view were considered more well off than those that sold their goods from baskets. Additionally, costers were known for their bright and colorful clothing, heavy use of slang, and negative sentiments towards police officers. The view then of Figure 11 appears to reference negative, class based attitudes towards costermongers. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on costers see: http://www.worldwidewords.org/weirdwords/ww-cos2.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff9_coster_recto.jpg<br />
ff9_coster_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/548">
    <dcterms:title><![CDATA[The Street Organ, No. 8 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Barrel Organ <br />
Street Musicians <br />
Women Clothing and Dress in Victorian Period <br />
Street Grinders<br />
Street Dance <br />
London, England<br />
Victorian City Life<br />
Picture postcards 1900-1909<br />
Lithograph Postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
Ladies dancing in the street to a Barrel Organ,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 8 shows two ladies dancing to a street grinder (performer) play his barrel organ. Victorian street music represented a &quot;festive disruption&quot; from middle class musical preferences, and was considered &quot;provocative&quot; (Picker 63). Street organs are mobile, allowing street grinders to move where they please.<br />
<br />
Street performers were considered during this period disgraceful, and a representation of lower classes. The ladies dancing too, were considered to be of ill repute. Their dresses, and suggestiveness of showing their ankles visually demonstrates this. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on street grinders, and street culture see Victorian Soundscapes by John M. Picker published in 2003 by Oxford University Press. <br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff8_street_recto.jpg<br />
ff8_street_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/546">
    <dcterms:title><![CDATA[The Hansom Cab, No. 7 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Hansom Cab <br />
Victorian Period city life 1880-1889<br />
Horse-drawn carriage<br />
Charing Cross Roundabout, <br />
London, England<br />
Picture Postcards 1900-1909<br />
Public Transportation Victorian Period<br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Hansom Cab driver directing his carriage near Charing Cross Roundabout,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 7 features a Hansom cab driver directing his carriage near Charing Cross Roundabout,  London, England. Hansom cabs were designed to be drawn by one horse. It has seating for two inside and an open seat at the back for the driver.<br />
<br />
The driver, seated behind, can control the closely situated doors, and prevent passengers from leaving without paying. It was the most popular form of public transportation available during the era. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on the Hansom Cab see: http://www.caaonline.com/caa_content.asp?PageType=Dept&amp;Key=15&amp;MCat=7<br />
 <br />
and <br />
http://vichist.blogspot.com/2008/06/case-of-growler-and-handsome-hansom.html]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff7_hansom_recto.jpg<br />
ff7_hansom_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/544">
    <dcterms:title><![CDATA[The Crossing Sweeper, No. 6 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Street Sweeper<br />
Victorian Period city life <br />
London, England<br />
Women clothing and dress in Victorian Period, <br />
Trafalgar Square, <br />
Nelson’s Column, <br />
Picture Postcards 1900-1909<br />
Lithograph postcard<br />
Child Labor during the Victorian Period<br />
Women clothing and dress in Victorian Period]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Street Sweeper acknowledging a Lady near Trafalgar Square,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 6 features a crossing sweeper asking for gratuity from a lady near Trafalgar Square in London, England. Street sweepers would clear a path ahead of a person in exchange for money, and were a common site in cities throughout Europe. Cities at the time were very dirty due to horse-drawn carriages and overcrowding. Typically it was a low class child, and many considered them to be a nuisance. <br />
<br />
One account describes street sweeping as &quot;one of those occupations resorted to as an excuse for begging&quot; and it was punished with imprisonment (Mayhew 465).<br />
<br />
Trafalgar Square, located in the center of the city, features Nelson&#039;s Column in the center. Four lions surround Nelson&#039;s Column. Early construction of the square began in 1840, and Nelson&#039;s Column was completed in 1867. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on street sweepers see: <br />
Henry Mayhew&#039;s account in his book &quot;London Labour and the London Poor: A Cyclopædia of the Condition and Earnings of Those That Will Work, Those That Cannot Work, and Those That Will Not&quot;. Volume 2 of London Labour and the London Poor published by Cosimo Inc.<br />
<br />
and: http://web.archive.org/web/20080321105914/http://www.leeds.gov.uk/armleymills/gallery/gallery2.html<br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff6_crossing_recto.jpg<br />
ff6_crossing_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
