<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/586">
    <dcterms:title><![CDATA[Execution of Lady Jane Grey.]]></dcterms:title>
    <dcterms:subject><![CDATA[Tower of London<br />
Lady Jane Grey<br />
Paul de la Roche <br />
Tower Green<br />
London, England]]></dcterms:subject>
    <dcterms:description><![CDATA[1 Postcard recto and verso. <br />
<br />
Lady Jane Grey awaiting her execution in the Tower of London. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[Inscription on verso:<br />
Lady Jane Grey entered the Tower of London as Queen on July 9th, 1553. Nine days later she was made a prisoner, and on February 12th, 1554, her fair head feel from the block on Tower Green.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Paul de la Roche.]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally painted by Paul de la Roche, the image is from a painting at the Tate Gallery of the same name.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Gale &amp; Polden Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published 1900-1910.]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on the Tower of London, see http://www.hrp.org.uk/TowerOfLondon/. ]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[picture postcard with undivided back, 3.5 x 5.5 in. ]]></dcterms:type>
    <dcterms:identifier><![CDATA[lp_exec_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/533">
    <dcterms:title><![CDATA[The Postman, No. 1 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Postman<br />
Victorian Period city life, <br />
Maid, <br />
Postal Service, 1890-1889, <br />
London, England, <br />
Picture Postcards 1900-1909<br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
Postman delivers mail to Maid, London, England.]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 1 features a Postman delivering mail to a maid. Much like postal service contemporaneously, the postal service in the Victorian Period required postmen to walk great lengths. The postman outfit featured a military style frock coat and waistcoat with a red collar. This style was to be constant until 1910. <br />
<br />
The maid featured most likely worked for a middle class family as evidenced by the type of house in the background. Such an image paints a more positive view of relations with police officers during this period.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:isReferencedBy><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on Postman uniforms see: http://www.postalheritage.org.uk/explore/history/uniforms/<br />
]]></dcterms:isReferencedBy>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in<br />
]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff1_postman_recto.jpg<br />
ff1_postman_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/535">
    <dcterms:title><![CDATA[The Policeman, No. 2 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Policeman<br />
Maid<br />
Victorian city life<br />
London England, <br />
Picture postcards 1900-1909<br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso<br />
Police Man talking to Maid,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 2 features a policeman talking to a maid in London, England. Known as &quot;Bobbies&quot;, modern policeman were relatively new to England, and were established in 1856. Policing formed after the industrial revolution as a result of increased pressure on society and violence.<br />
<br />
Policemen were typically of lower classes, and had labor related occupations. Due to the industrial revolution, and increased mechanization, less laborers were need, thus became police officers (Taylor 48).<br />
<br />
The maid featured most likely worked for a middle class family as evidenced by the type of house in the background. Such an image paints a more positive view of relations with police officers during this period.  ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on the formation of police forces in London see: http://www.victorianweb.org/history/police.html<br />
<br />
and: Taylor, David. The New Police in Nineteenth-Century England: Crime, Conflict, and Control. New York: St. Martin’s Press, 1997.]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in<br />
]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff2_police_recto.jpg<br />
ff2_police_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/537">
    <dcterms:title><![CDATA[The Flower Girl, No. 3 from Familiar Figures of London Series <br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Flower Girl<br />
Women clothing and dress, Victorian Period<br />
Street-Seller,<br />
London, England city life 1890-1889<br />
Westminster Abbey<br />
Male clothing in Victorian Period<br />
Lithograph Postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Flower Girl offering a Gentleman a Flower,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 3 features a girl offering a flower to a gentleman outside of Westminster Abbey. Flower girls moved up and down the streets with heavy cane baskets full of flowers. <br />
<br />
Henry Mayhew described two types of Flower Girls in his 1861 report on London Labour and the London Poor. The first, considered a &quot;better class&quot; of flower girls, worked very hard in wealthier areas, giving the money they earned to their parents. <br />
The second, were women who dressed coquettishly and took to the street later in the night, near theaters and casinos.  This type would use selling flowers as a pretense to meet men for “immoral purposes”, and gave flowers girls a negative stereotype. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on Mayhew&#039;s account of flower girls see: http://www.victorianlondon.org/professions/flowergirls.htm<br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG<br />
]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in<br />
]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff3_flower_recto.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her grandmother Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/542">
    <dcterms:title><![CDATA[Hot Potatoes, No. 5 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Hot Potatoes, Street Vendor<br />
London, England, <br />
Victorian Period Food Vendors, <br />
Victorian Period city life,<br />
Picture Postcards 1900-1909<br />
Lithograph Postcards]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso. <br />
Man selling potatoes in a street vendor to another man,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 5 features a street vendor selling hot potatoes. They sold their food from mobile tin boxes that had a fire at the bottom to keep the potatoes hot. One account notes that these &quot;baked taties&quot; were &quot;disabled tradesmen and laborers&quot; (Paquat 110). Hot potatoes were sold seasonly during the colder months, from August to April. People would buy these to keep their hands warm. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on Street Sellers, Hot Potatoes see: <br />
The Urge to Splurge: A Social History of Shopping by Laura Byrne Paquat. Published by ECW Press in 2003.]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff5_hot_recto.jpg<br />
ff5_hot_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/544">
    <dcterms:title><![CDATA[The Crossing Sweeper, No. 6 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Street Sweeper<br />
Victorian Period city life <br />
London, England<br />
Women clothing and dress in Victorian Period, <br />
Trafalgar Square, <br />
Nelson’s Column, <br />
Picture Postcards 1900-1909<br />
Lithograph postcard<br />
Child Labor during the Victorian Period<br />
Women clothing and dress in Victorian Period]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Street Sweeper acknowledging a Lady near Trafalgar Square,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 6 features a crossing sweeper asking for gratuity from a lady near Trafalgar Square in London, England. Street sweepers would clear a path ahead of a person in exchange for money, and were a common site in cities throughout Europe. Cities at the time were very dirty due to horse-drawn carriages and overcrowding. Typically it was a low class child, and many considered them to be a nuisance. <br />
<br />
One account describes street sweeping as &quot;one of those occupations resorted to as an excuse for begging&quot; and it was punished with imprisonment (Mayhew 465).<br />
<br />
Trafalgar Square, located in the center of the city, features Nelson&#039;s Column in the center. Four lions surround Nelson&#039;s Column. Early construction of the square began in 1840, and Nelson&#039;s Column was completed in 1867. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on street sweepers see: <br />
Henry Mayhew&#039;s account in his book &quot;London Labour and the London Poor: A Cyclopædia of the Condition and Earnings of Those That Will Work, Those That Cannot Work, and Those That Will Not&quot;. Volume 2 of London Labour and the London Poor published by Cosimo Inc.<br />
<br />
and: http://web.archive.org/web/20080321105914/http://www.leeds.gov.uk/armleymills/gallery/gallery2.html<br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff6_crossing_recto.jpg<br />
ff6_crossing_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/546">
    <dcterms:title><![CDATA[The Hansom Cab, No. 7 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Hansom Cab <br />
Victorian Period city life 1880-1889<br />
Horse-drawn carriage<br />
Charing Cross Roundabout, <br />
London, England<br />
Picture Postcards 1900-1909<br />
Public Transportation Victorian Period<br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Hansom Cab driver directing his carriage near Charing Cross Roundabout,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 7 features a Hansom cab driver directing his carriage near Charing Cross Roundabout,  London, England. Hansom cabs were designed to be drawn by one horse. It has seating for two inside and an open seat at the back for the driver.<br />
<br />
The driver, seated behind, can control the closely situated doors, and prevent passengers from leaving without paying. It was the most popular form of public transportation available during the era. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on the Hansom Cab see: http://www.caaonline.com/caa_content.asp?PageType=Dept&amp;Key=15&amp;MCat=7<br />
 <br />
and <br />
http://vichist.blogspot.com/2008/06/case-of-growler-and-handsome-hansom.html]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff7_hansom_recto.jpg<br />
ff7_hansom_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/548">
    <dcterms:title><![CDATA[The Street Organ, No. 8 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Barrel Organ <br />
Street Musicians <br />
Women Clothing and Dress in Victorian Period <br />
Street Grinders<br />
Street Dance <br />
London, England<br />
Victorian City Life<br />
Picture postcards 1900-1909<br />
Lithograph Postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
Ladies dancing in the street to a Barrel Organ,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 8 shows two ladies dancing to a street grinder (performer) play his barrel organ. Victorian street music represented a &quot;festive disruption&quot; from middle class musical preferences, and was considered &quot;provocative&quot; (Picker 63). Street organs are mobile, allowing street grinders to move where they please.<br />
<br />
Street performers were considered during this period disgraceful, and a representation of lower classes. The ladies dancing too, were considered to be of ill repute. Their dresses, and suggestiveness of showing their ankles visually demonstrates this. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on street grinders, and street culture see Victorian Soundscapes by John M. Picker published in 2003 by Oxford University Press. <br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff8_street_recto.jpg<br />
ff8_street_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/549">
    <dcterms:title><![CDATA[The “Coster” No. 9 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Coster<br />
London, England city life 1890-1889<br />
Women--clothing and dress, Victorian Period<br />
Food Vendor, <br />
London, England,<br />
Animal-Drawn Cart, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
A Coster on top of an animal-drawn vendor,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 9 shows &quot;costermongers&quot; on an animal drawn cart, selling fruits and vegetables. During the Victorian Period, there was a great many of them, so competition was fierce, typically using chants, and other tactics to be heard.<br />
<br />
Costermongers belonged to the lowest classes of society, but still had their own hierarchy of sorts. Costers with animal drawn carriage like in this view were considered more well off than those that sold their goods from baskets. Additionally, costers were known for their bright and colorful clothing, heavy use of slang, and negative sentiments towards police officers. The view then of Figure 11 appears to reference negative, class based attitudes towards costermongers. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on costers see: http://www.worldwidewords.org/weirdwords/ww-cos2.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff9_coster_recto.jpg<br />
ff9_coster_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/552">
    <dcterms:title><![CDATA[The News Boy, No. 10 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Newspaper Boys 1889<br />
London, England, <br />
Victorian Period city life, <br />
Newspaper boy cap, <br />
Shaftesbury Memorial Fountain<br />
Eros, <br />
Flower Girls, <br />
Child Labor, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
News Paper Boy at the Corner of Shaftesbury Memorial Fountain,  London, England.]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 10 features a newspaper boy saying &quot;extra extra, read all about it&quot; referencing &quot;Terrible Slaughter Results All the Winners&quot; Title of that day&#039;s edition. Located at the Corner of Shaftesbury Memorial Fountain, this dynamic lithograph references child labor including newspaper boys and flower girls. It shows how people received information and communicated during the Victorian era.<br />
<br />
Additionally featured is the statue of Eros, completed by Albert Gilbert in 1893, this was a relatively new sight for Londoners in 1898. The statue also received a lot of controversy due its nude nature, and was the first sculpture to be cast in aluminum. Now a known symbol of London, this statue also references the emblem of Evening Standard newspaper.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
The statue of Eros located at the Shaftesbury Memorial Fountain is still standing. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the statue of Eros, see: http://www.british-history.ac.uk/survey-london/vols31-2/pt2/pp101-110]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff10_news_recto.jpg<br />
ff10_news_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
