<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/548">
    <dcterms:title><![CDATA[The Street Organ, No. 8 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Barrel Organ <br />
Street Musicians <br />
Women Clothing and Dress in Victorian Period <br />
Street Grinders<br />
Street Dance <br />
London, England<br />
Victorian City Life<br />
Picture postcards 1900-1909<br />
Lithograph Postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
Ladies dancing in the street to a Barrel Organ,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 8 shows two ladies dancing to a street grinder (performer) play his barrel organ. Victorian street music represented a &quot;festive disruption&quot; from middle class musical preferences, and was considered &quot;provocative&quot; (Picker 63). Street organs are mobile, allowing street grinders to move where they please.<br />
<br />
Street performers were considered during this period disgraceful, and a representation of lower classes. The ladies dancing too, were considered to be of ill repute. Their dresses, and suggestiveness of showing their ankles visually demonstrates this. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on street grinders, and street culture see Victorian Soundscapes by John M. Picker published in 2003 by Oxford University Press. <br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff8_street_recto.jpg<br />
ff8_street_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/549">
    <dcterms:title><![CDATA[The “Coster” No. 9 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Coster<br />
London, England city life 1890-1889<br />
Women--clothing and dress, Victorian Period<br />
Food Vendor, <br />
London, England,<br />
Animal-Drawn Cart, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
A Coster on top of an animal-drawn vendor,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 9 shows &quot;costermongers&quot; on an animal drawn cart, selling fruits and vegetables. During the Victorian Period, there was a great many of them, so competition was fierce, typically using chants, and other tactics to be heard.<br />
<br />
Costermongers belonged to the lowest classes of society, but still had their own hierarchy of sorts. Costers with animal drawn carriage like in this view were considered more well off than those that sold their goods from baskets. Additionally, costers were known for their bright and colorful clothing, heavy use of slang, and negative sentiments towards police officers. The view then of Figure 11 appears to reference negative, class based attitudes towards costermongers. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on costers see: http://www.worldwidewords.org/weirdwords/ww-cos2.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff9_coster_recto.jpg<br />
ff9_coster_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/552">
    <dcterms:title><![CDATA[The News Boy, No. 10 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Newspaper Boys 1889<br />
London, England, <br />
Victorian Period city life, <br />
Newspaper boy cap, <br />
Shaftesbury Memorial Fountain<br />
Eros, <br />
Flower Girls, <br />
Child Labor, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
<br />
News Paper Boy at the Corner of Shaftesbury Memorial Fountain,  London, England.]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 10 features a newspaper boy saying &quot;extra extra, read all about it&quot; referencing &quot;Terrible Slaughter Results All the Winners&quot; Title of that day&#039;s edition. Located at the Corner of Shaftesbury Memorial Fountain, this dynamic lithograph references child labor including newspaper boys and flower girls. It shows how people received information and communicated during the Victorian era.<br />
<br />
Additionally featured is the statue of Eros, completed by Albert Gilbert in 1893, this was a relatively new sight for Londoners in 1898. The statue also received a lot of controversy due its nude nature, and was the first sculpture to be cast in aluminum. Now a known symbol of London, this statue also references the emblem of Evening Standard newspaper.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.<br />
<br />
The statue of Eros located at the Shaftesbury Memorial Fountain is still standing. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the statue of Eros, see: http://www.british-history.ac.uk/survey-london/vols31-2/pt2/pp101-110]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff10_news_recto.jpg<br />
ff10_news_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/553">
    <dcterms:title><![CDATA[The Soldier, No. 11 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Soldier, No.11<br />
Robert Sauber<br />
Victorian Period, <br />
London, England city life 1890-1889, <br />
English Soldier clothing and dress, <br />
Hyde Park, <br />
Women--clothing and dress, Victorian Period<br />
 Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso,<br />
<br />
 A lady and Soldier walking around Hyde Park,  London, England. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 11 features a British Soldier and lady and their child walking around Hyde Park. Centrally located within the city, Hyde Park has been very popular to Londoners for centuries.<br />
<br />
This view of Hyde Park promotes the historical significance of Hyde Park, operating as a site for middle and upper classes to see and be seen. It also promotes the soldier&#039;s chivalry, and the woman&#039;s kind nature. Additionally an afternoon stroll like such shows the growing prevalence of leisure time activities in daily life. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on Hyde Park see: <br />
https://www.royalparks.org.uk/parks/hyde-park]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff11_soldier_recto.jpg<br />
ff11_soldier_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. <br />
]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/556">
    <dcterms:title><![CDATA[The Bus Driver, No. 12 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[London, England city life 1890-1898<br />
Victorian Period, <br />
Horse-drawn Omnibus, <br />
Public transportation in Victorian Period, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.  <br />
<br />
A bus driver directing an Omnibus,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 12 features a bus driver directing an Omnibus in  London and was created by artist Robert Sauber before 1900. These horse drawn carriages revolutionized transportation, yet still had some downsides.<br />
<br />
One account notes that: 	 <br />
&quot;Here we are ... in all six and twenty sweating citizens, jammed, crammed and squeezed into each other like so many peas in a pod...&quot;<br />
(New Monthly Magazine, 1833)]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the quote and history of omnibuses see: http://web.archive.org/web/20070609023652/http://www.ltmuseum.co.uk/learning/online_resources/ecobus_omnibus/pg/1829.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff12_bus_recto.jpg<br />
ff12_bus_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/558">
    <dcterms:title><![CDATA[Best Wishes, Die Besten Wunsche ]]></dcterms:title>
    <dcterms:alternative><![CDATA[Die Besten Wunsche zum Neuen Jahre]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Correspondence 1900-1909, <br />
Embossed Postcards, <br />
New Year Greetings Cards, <br />
Dresden, Germany, ]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso, <br />
<br />
Best Wishes on a New Year Greetings Card.]]></dcterms:description>
    <dcterms:abstract><![CDATA[A New Year Greetings Card, postmarked December 21, 1908 and sent from Dresden to Yonkers, New York. It features an embossed recto with four leaf clovers, symbolizing good fortune for the new year. Between 1898 and 1918, the golden era of postcards, Christmas postcards were the most popular vehicle for conveying holiday wishes (Collector&#039;s Weekly).<br />
<br />
Inscription on recto:<br />
<br />
How nice it would be if you were all here to celebrate with us. Prager strasse is more attractive than ever. The imitation snow in the store windows seems to be about all we will see this year, much to our disappointment. Accept our best wishes for a very happy New Year.<br />
Mrs. H. A. Heilbron &amp; family]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Unknown publisher, but on verso “Dresden” is postmarked.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Unknown]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published before 1907, <br />
<br />
Postmarked 12/21/1908.]]></dcterms:date>
    <dcterms:references><![CDATA[For information on Christmas, and New Years Greetings Postcards see: <br />
http://www.postalheritage.org.uk/whats-on/onlineexhibitions/christmasthroughthepost/<br />
<br />
For more information on early, German, embossed postcards see: http://www.collectorsweekly.com/postcards/christmas]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG<br />
]]></dcterms:format>
    <dcterms:language><![CDATA[ger: recto, en: verso]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image, Embossed postcard, 3.5 x 5.5 in<br />
]]></dcterms:type>
    <dcterms:identifier><![CDATA[tc_best_recto.jpg<br />
tc_best_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. ]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/564">
    <dcterms:title><![CDATA[Our Lady of Sorrows]]></dcterms:title>
    <dcterms:alternative><![CDATA[Mater Dolorosa]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Our Lady of Sorrows<br />
Dolci, Carlo (1619-1686), <br />
Dresden Gallery, <br />
Christian art, <br />
Baroque Art--painting, Italy, <br />
Lithograph postcard production<br />
Picture Postcards 1900-190]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso, <br />
<br />
Our Lady of Sorrows Christmas Greeting Card. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[The original was created circa 1655, Dolci&#039;s rendition has been considered the most popular, and exemplifies &quot;his firm intention to paint only works which would inspire the fruits of Christian piety in those who saw them&quot; (Baldinucci.). The picture postcard was a Christmas greeting card sent from Dresden to Yonkers, New York.<br />
<br />
Inscription on verso:<br />
<br />
A Merry Christmas and a bright and prosperous New Year.<br />
Freida Ludzeig<br />
Dresden December 13, 1908<br />
<br />
]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Dolci, Carlo (1619-1686)]]></dcterms:creator>
    <dcterms:source><![CDATA[Original painting created circa 1655, and located at the time in the Dresden Gallery, Dresden Germany, but now on display within the Schloss Weißenstein Gallery, Pommersfelden, Germany.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paul Heine]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1907-1908, Postmarked: 12/14/09]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on devotional practices related to Our Lady of Sorrows see: <br />
http://www.themostholyrosary.com/appendix1.htm<br />
<br />
For examples of artistic representations of Our Lady of Sorrows see: http://www.gettyimages.com/editorial/mater-dolorosa-pictures<br />
<br />
For more information on Dolci, and quote see: outlook.com/owa/?wa=wsignin1.0]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en (verso)]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, Picture Postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[tc_lady_recto.jpg<br />
tc_lady_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/566">
    <dcterms:title><![CDATA[The Adoration of the Shepherds]]></dcterms:title>
    <dcterms:alternative><![CDATA[L&#039;Adorazione dei Pastori. ]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Baroque Art--painting, <br />
Christian art,<br />
Italy<br />
Lithograph postcard production<br />
Picture Postcards 1900-1910<br />
Correspondence 1900-1910]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso. <br />
<br />
The Adoration of the Shepheds beside Jesus&#039; manger produced as a Christmas Greeting Card.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Unknown artist copies a version of Bartolomé Esteban Murillo (1617-1682)’s original series of the same name, and was produced as a Christmas Greeting Card. <br />
<br />
Inscription on back: <br />
<br />
Mrs. Williams, (undetectable) Mrs. Kinnear and family hasty wishes for a Merry Christmas and a happy New Year. Your kind letter will a (undetectable) very soon. Love to all.<br />
L. S. W. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Unknown artist copies a version of Bartolomé Esteban Murillo (1617-1682)’s original series of the same name.]]></dcterms:creator>
    <dcterms:source><![CDATA[The original series of The Adoration of the Shepherds was created between 1655-1660.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Stengel &amp; Co.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published Circa 1907-1908 <br />
<br />
Postmark 12/10/08]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on Murillo see:<br />
http://www.wallacecollection.org/whatson/treasure/14 <br />
<br />
For examples of this postcard see:<br />
http://www.ebay.com/itm/The-Adoration-of-the-Shepherds-by-MURILLO-Roma-Italy-original-art-1910s-PC-/360900362367]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[ger (recto), en (verso)]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture Postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[tc_adora_recto.jpg<br />
tc_adora_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/568">
    <dcterms:title><![CDATA[Washington’s Headquarters, in Morristown, New Jersey  ]]></dcterms:title>
    <dcterms:subject><![CDATA[Washington’s Headquarters, <br />
Morristown, New Jersey <br />
Hudson Valley, <br />
Historic Houses, Canon, <br />
American President, George Washington]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso, <br />
<br />
The historic house known as George Washington&#039;s Headquarters located in Morristown, New Jersey]]></dcterms:description>
    <dcterms:abstract><![CDATA[Morristown National Historical Park was the site of the 1779-80 winter encampment of the Continental Army under General George Washington during the American Revolution. The site proved to be a strategic location, that helped supply the Continental Army with provisions during the coldest winter in New Jersey to date. Additionally, it was the first national park to be registered by the National Park Service in 1932.<br />
<br />
Inscription on verso: <br />
<br />
We drove over here today. It was lovely, interesting. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Valentine and Sons&#039; Publishing Co. Ltd. ]]></dcterms:creator>
    <dcterms:source><![CDATA[The original house, called Ford Mansion is a historic house museum still in existence.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Valentine &amp; Sons’ Publishing Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Postmark: 6/19/1910 6: 30 p.m.]]></dcterms:date>
    <dcterms:references><![CDATA[For more information see: <br />
<br />
http://www.nps.gov/morr/index.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image, Color Tinted Photograph, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[at_wash_recto.jpg<br />
at_wash_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. ]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/570">
    <dcterms:title><![CDATA[Gertrude Kinnear]]></dcterms:title>
    <dcterms:subject><![CDATA[Gertrude Kinnear<br />
Photographic postcards in 1908<br />
Portraiture 1900-1910, <br />
American Women--Clothing and Style 1908<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso. <br />
<br />
Photographic Postcard of Gertrude Kinnear, while in New York]]></dcterms:description>
    <dcterms:abstract><![CDATA[After my grandmother passed away, I decided to undertake a large task of cataloguing the large (over 600) postcard collection that we had enjoyed viewing while she was alive. Within the collection included a postcard album dated with postmark dates ranging from 1908-1909. <br />
<br />
This picture postcard was printed in 1908, and features Gertrude Kinnear sitting on the arm of an ornate chair in early twentieth century attire that many affluent women wore including a large hat with flowers.<br />
<br />
Inscription on verso: <br />
<br />
1908<br />
Gertrude Kinnear<br />
Gran&#039;s sister (notated at an unknown time by Elizabeth Mealy)]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Scherer]]></dcterms:creator>
    <dcterms:source><![CDATA[Found within the Postcard Album of the Kinnear Family postcards circa 1907-1915, featuring Gertrude Kinnear in circa 1908.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Scherer Studios]]></dcterms:publisher>
    <dcterms:date><![CDATA[Printed circa 1908]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on examples of photographs produced by the Scherer Studio see:<br />
<br />
https://dialoguejournal.com/wp-content/uploads/sbi/articles/Dialogue_V29N03_9.pdf]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still Image, Photographic Postcard, 3.5 x 5.5 in ]]></dcterms:type>
    <dcterms:identifier><![CDATA[at_gert_recto.jpg<br />
at_gert_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. ]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
