<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/38">
    <dcterms:title><![CDATA[Street Scene, Venice, Italy]]></dcterms:title>
    <dcterms:subject><![CDATA[Street Scene, Venice, Italy, canal, architecture, ]]></dcterms:subject>
    <dcterms:description><![CDATA[view of canal in the middle of the city]]></dcterms:description>
    <dcterms:creator><![CDATA[T. W. Ingersoll]]></dcterms:creator>
    <dcterms:source><![CDATA[In collection of Madelaine Stanley]]></dcterms:source>
    <dcterms:created><![CDATA[unknown]]></dcterms:created>
    <dcterms:rights><![CDATA[All Images property of rights holder.]]></dcterms:rights>
    <dcterms:format><![CDATA[reproduction of photograph on card stock, original size 6.75x3.25 in]]></dcterms:format>
    <dcterms:format><![CDATA[scanned image, JPG]]></dcterms:format>
    <dcterms:medium><![CDATA[card stock, ink]]></dcterms:medium>
    <dcterms:type><![CDATA[stereograph, photograph, stereogram, stereo view, stereo card, color-tinted stereograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[mis_47]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Madelaine Stanley]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/468">
    <dcterms:title><![CDATA[Thames Gray Macchia with Kingfisher Blue Lip Wrap]]></dcterms:title>
    <dcterms:subject><![CDATA[glass art]]></dcterms:subject>
    <dcterms:source><![CDATA[http://www.chihuly.com/artwork]]></dcterms:source>
    <dcterms:date><![CDATA[1982]]></dcterms:date>
    <dcterms:rights><![CDATA[yes]]></dcterms:rights>
    <dcterms:type><![CDATA[blown glass]]></dcterms:type>
    <dcterms:identifier><![CDATA[glass_2.jpg?dl=1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[United States]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/549">
    <dcterms:title><![CDATA[The “Coster” No. 9 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[The Coster<br />
London, England city life 1890-1889<br />
Women--clothing and dress, Victorian Period<br />
Food Vendor, <br />
London, England,<br />
Animal-Drawn Cart, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
A Coster on top of an animal-drawn vendor,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 9 shows &quot;costermongers&quot; on an animal drawn cart, selling fruits and vegetables. During the Victorian Period, there was a great many of them, so competition was fierce, typically using chants, and other tactics to be heard.<br />
<br />
Costermongers belonged to the lowest classes of society, but still had their own hierarchy of sorts. Costers with animal drawn carriage like in this view were considered more well off than those that sold their goods from baskets. Additionally, costers were known for their bright and colorful clothing, heavy use of slang, and negative sentiments towards police officers. The view then of Figure 11 appears to reference negative, class based attitudes towards costermongers. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on costers see: http://www.worldwidewords.org/weirdwords/ww-cos2.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff9_coster_recto.jpg<br />
ff9_coster_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com. ]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/566">
    <dcterms:title><![CDATA[The Adoration of the Shepherds]]></dcterms:title>
    <dcterms:alternative><![CDATA[L&#039;Adorazione dei Pastori. ]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Baroque Art--painting, <br />
Christian art,<br />
Italy<br />
Lithograph postcard production<br />
Picture Postcards 1900-1910<br />
Correspondence 1900-1910]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso. <br />
<br />
The Adoration of the Shepheds beside Jesus&#039; manger produced as a Christmas Greeting Card.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Unknown artist copies a version of Bartolomé Esteban Murillo (1617-1682)’s original series of the same name, and was produced as a Christmas Greeting Card. <br />
<br />
Inscription on back: <br />
<br />
Mrs. Williams, (undetectable) Mrs. Kinnear and family hasty wishes for a Merry Christmas and a happy New Year. Your kind letter will a (undetectable) very soon. Love to all.<br />
L. S. W. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Unknown artist copies a version of Bartolomé Esteban Murillo (1617-1682)’s original series of the same name.]]></dcterms:creator>
    <dcterms:source><![CDATA[The original series of The Adoration of the Shepherds was created between 1655-1660.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Stengel &amp; Co.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published Circa 1907-1908 <br />
<br />
Postmark 12/10/08]]></dcterms:date>
    <dcterms:references><![CDATA[For more information on Murillo see:<br />
http://www.wallacecollection.org/whatson/treasure/14 <br />
<br />
For examples of this postcard see:<br />
http://www.ebay.com/itm/The-Adoration-of-the-Shepherds-by-MURILLO-Roma-Italy-original-art-1910s-PC-/360900362367]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[ger (recto), en (verso)]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture Postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[tc_adora_recto.jpg<br />
tc_adora_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/175">
    <dcterms:title><![CDATA[The Afternoon Tea Party]]></dcterms:title>
    <dcterms:subject><![CDATA[tea, tea party, social life, women, ]]></dcterms:subject>
    <dcterms:description><![CDATA[three women sip tea and converse]]></dcterms:description>
    <dcterms:creator><![CDATA[H.C. White Co. N.Y]]></dcterms:creator>
    <dcterms:source><![CDATA[In collection of Madelaine Stanley]]></dcterms:source>
    <dcterms:publisher><![CDATA[World Series, reproduced from original stereoscpoic photograph]]></dcterms:publisher>
    <dcterms:created><![CDATA[1905]]></dcterms:created>
    <dcterms:rights><![CDATA[All Images property of rights holder.]]></dcterms:rights>
    <dcterms:format><![CDATA[reproduction of photograph on card stock, original size 6.75x3.25 in]]></dcterms:format>
    <dcterms:medium><![CDATA[card stock, ink]]></dcterms:medium>
    <dcterms:type><![CDATA[stereograph, photograph, stereogram, stereo view, stereocard]]></dcterms:type>
    <dcterms:identifier><![CDATA[ws_40]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Madelaine Stanely]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/164">
    <dcterms:title><![CDATA[The Bowery, New York]]></dcterms:title>
    <dcterms:subject><![CDATA[The Bowery, New York, city, transportation, horse drawn carriage, architecture, ]]></dcterms:subject>
    <dcterms:description><![CDATA[city life in new york, carriges in street, pedestrians walking on the sidewalk ]]></dcterms:description>
    <dcterms:creator><![CDATA[H.C. White Co. N.Y]]></dcterms:creator>
    <dcterms:source><![CDATA[In collection of Madelaine Stanley]]></dcterms:source>
    <dcterms:publisher><![CDATA[World Series, reproduced from original stereoscpoic photograph]]></dcterms:publisher>
    <dcterms:created><![CDATA[1905]]></dcterms:created>
    <dcterms:rights><![CDATA[All Images property of rights holder. ]]></dcterms:rights>
    <dcterms:format><![CDATA[reproduction of photograph on card stock, original size 6.75x3.25 in]]></dcterms:format>
    <dcterms:medium><![CDATA[card stock, ink]]></dcterms:medium>
    <dcterms:type><![CDATA[stereograph, photograph, stereogram, stereo view, stereocard]]></dcterms:type>
    <dcterms:identifier><![CDATA[ws_8]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Madelaine Stanely]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/556">
    <dcterms:title><![CDATA[The Bus Driver, No. 12 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[London, England city life 1890-1898<br />
Victorian Period, <br />
Horse-drawn Omnibus, <br />
Public transportation in Victorian Period, <br />
Lithograph postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.  <br />
<br />
A bus driver directing an Omnibus,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 12 features a bus driver directing an Omnibus in  London and was created by artist Robert Sauber before 1900. These horse drawn carriages revolutionized transportation, yet still had some downsides.<br />
<br />
One account notes that: 	 <br />
&quot;Here we are ... in all six and twenty sweating citizens, jammed, crammed and squeezed into each other like so many peas in a pod...&quot;<br />
(New Monthly Magazine, 1833)]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on the quote and history of omnibuses see: http://web.archive.org/web/20070609023652/http://www.ltmuseum.co.uk/learning/online_resources/ecobus_omnibus/pg/1829.htm]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff12_bus_recto.jpg<br />
ff12_bus_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy. <br />
]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/544">
    <dcterms:title><![CDATA[The Crossing Sweeper, No. 6 from Familiar Figures of London Series]]></dcterms:title>
    <dcterms:subject><![CDATA[Street Sweeper<br />
Victorian Period city life <br />
London, England<br />
Women clothing and dress in Victorian Period, <br />
Trafalgar Square, <br />
Nelson’s Column, <br />
Picture Postcards 1900-1909<br />
Lithograph postcard<br />
Child Labor during the Victorian Period<br />
Women clothing and dress in Victorian Period]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Street Sweeper acknowledging a Lady near Trafalgar Square,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 6 features a crossing sweeper asking for gratuity from a lady near Trafalgar Square in London, England. Street sweepers would clear a path ahead of a person in exchange for money, and were a common site in cities throughout Europe. Cities at the time were very dirty due to horse-drawn carriages and overcrowding. Typically it was a low class child, and many considered them to be a nuisance. <br />
<br />
One account describes street sweeping as &quot;one of those occupations resorted to as an excuse for begging&quot; and it was punished with imprisonment (Mayhew 465).<br />
<br />
Trafalgar Square, located in the center of the city, features Nelson&#039;s Column in the center. Four lions surround Nelson&#039;s Column. Early construction of the square began in 1840, and Nelson&#039;s Column was completed in 1867. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For information on street sweepers see: <br />
Henry Mayhew&#039;s account in his book &quot;London Labour and the London Poor: A Cyclopædia of the Condition and Earnings of Those That Will Work, Those That Cannot Work, and Those That Will Not&quot;. Volume 2 of London Labour and the London Poor published by Cosimo Inc.<br />
<br />
and: http://web.archive.org/web/20080321105914/http://www.leeds.gov.uk/armleymills/gallery/gallery2.html<br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff6_crossing_recto.jpg<br />
ff6_crossing_verso.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her granddaughter Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/181">
    <dcterms:title><![CDATA[The Dancing School]]></dcterms:title>
    <dcterms:subject><![CDATA[dacing, women, teaching, interiors, school, dancing school]]></dcterms:subject>
    <dcterms:description><![CDATA[Two women are instructed on how to dance by teacher, a third women looks on]]></dcterms:description>
    <dcterms:creator><![CDATA[H.C. White Co. N.Y]]></dcterms:creator>
    <dcterms:source><![CDATA[In collection of Madelaine Stanley]]></dcterms:source>
    <dcterms:publisher><![CDATA[World Series, reproduced from original stereoscpoic photograph]]></dcterms:publisher>
    <dcterms:created><![CDATA[1905]]></dcterms:created>
    <dcterms:rights><![CDATA[All Images property of rights holder.]]></dcterms:rights>
    <dcterms:format><![CDATA[reproduction of photograph on card stock, original size 6.75x3.25 in]]></dcterms:format>
    <dcterms:medium><![CDATA[card stock, ink]]></dcterms:medium>
    <dcterms:type><![CDATA[stereograph, photograph, stereogram, stereo view, stereocard]]></dcterms:type>
    <dcterms:identifier><![CDATA[ws_48]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Madelaine Stanely]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/389/items/show/537">
    <dcterms:title><![CDATA[The Flower Girl, No. 3 from Familiar Figures of London Series <br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Flower Girl<br />
Women clothing and dress, Victorian Period<br />
Street-Seller,<br />
London, England city life 1890-1889<br />
Westminster Abbey<br />
Male clothing in Victorian Period<br />
Lithograph Postcard]]></dcterms:subject>
    <dcterms:description><![CDATA[1 postcard recto and verso.<br />
Flower Girl offering a Gentleman a Flower,  London, England]]></dcterms:description>
    <dcterms:abstract><![CDATA[From the Peacock &quot;pictorette&quot; Post Card Series, Figure 3 features a girl offering a flower to a gentleman outside of Westminster Abbey. Flower girls moved up and down the streets with heavy cane baskets full of flowers. <br />
<br />
Henry Mayhew described two types of Flower Girls in his 1861 report on London Labour and the London Poor. The first, considered a &quot;better class&quot; of flower girls, worked very hard in wealthier areas, giving the money they earned to their parents. <br />
The second, were women who dressed coquettishly and took to the street later in the night, near theaters and casinos.  This type would use selling flowers as a pretense to meet men for “immoral purposes”, and gave flowers girls a negative stereotype. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sauber, Robert (1868-1936)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally created in 1898 within the “Familiar Figures of London” series of 12 lithographs prints by Robert Sauber.]]></dcterms:source>
    <dcterms:publisher><![CDATA[The Pictorial Stationery Co., Ltd.]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published circa 1906-1909.]]></dcterms:date>
    <dcterms:references><![CDATA[For more examples of this series see: http://www.mystudios.com/artgallery/R/Robert-Sauber/The-Newsboy,-No.10-from-Familiar-Figures-of-London,-c.1901.html<br />
<br />
and: http://www.lookandlearn.com/history-images/XD141009/The-Soldier?img=1&amp;search=Robert+Sauber+%28after%29&amp;bool=phrase<br />
<br />
For more information on Mayhew&#039;s account of flower girls see: http://www.victorianlondon.org/professions/flowergirls.htm<br />
]]></dcterms:references>
    <dcterms:format><![CDATA[JPEG<br />
]]></dcterms:format>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Still image, picture postcard with divided back, 3.5 x 5.5 in<br />
]]></dcterms:type>
    <dcterms:identifier><![CDATA[ff3_flower_recto.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Original Collection passed from Gertrude Kinnear to her sister Luree Jobe to her daughter Eleanor Jobe, who left it to her niece Elizabeth A. Mealy who left it to her grandmother Caitlin Mealy.]]></dcterms:provenance>
    <dcterms:rightsHolder><![CDATA[For rights and permissions, please contact Caitlin Mealy, catydids515@gmail.com.]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
