<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/4">
    <dcterms:title><![CDATA[Without hurting anyone{‘s feelings] #2]]></dcterms:title>
    <dcterms:description><![CDATA[Framed watercolor on silk painting by Shin’ichi Suzuki]]></dcterms:description>
    <dcterms:creator><![CDATA[Shin’ichi Suzuki]]></dcterms:creator>
    <dcterms:publisher><![CDATA[James Madison University Music Library]]></dcterms:publisher>
    <dcterms:created><![CDATA[1985]]></dcterms:created>
    <dcterms:format><![CDATA[Watercolor on silk with Japanese caligraphy (27&quot; x 10&quot;).  English text written on the paper below the watercolor, looks like “Not Harm”. Unknown whether or not this was written by Suzuki. Mounted on paper, but unknown if it was mounted by Suzuki.  Framed with matting by Donovan’s Framery in June of 2016]]></dcterms:format>
    <dcterms:language><![CDATA[Japanese]]></dcterms:language>
    <dcterms:language><![CDATA[English]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/2">
    <dcterms:title><![CDATA[Without hurting anyone{‘s feelings] #1]]></dcterms:title>
    <dcterms:description><![CDATA[Framed watercolor on silk painting by Shin’ichi Suzuki]]></dcterms:description>
    <dcterms:creator><![CDATA[Shin’ichi Suzuki]]></dcterms:creator>
    <dcterms:publisher><![CDATA[James Madison University Music Library]]></dcterms:publisher>
    <dcterms:created><![CDATA[1984]]></dcterms:created>
    <dcterms:contributor><![CDATA[Dr. Marianne Perkins]]></dcterms:contributor>
    <dcterms:format><![CDATA[Watercolor on silk with Japanese caligraphy (27&quot; x 10&quot;). English text written on the paper below the watercolor, looks like “Not Harm Anybody”. Unknown whether or not this was written by Suzuki. Mounted on paper, but unknown if it was mounted by Suzuki. Framed with matting by Donovan’s Framery in June of 2016]]></dcterms:format>
    <dcterms:language><![CDATA[Japanese]]></dcterms:language>
    <dcterms:language><![CDATA[English]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/5">
    <dcterms:title><![CDATA[Wedding Portrait of Dr. Marianne Perkins]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/65">
    <dcterms:title><![CDATA[The Winchester Troper]]></dcterms:title>
    <dcterms:description><![CDATA[Facsimile of manuscript 473 preserved in the Corpus Christi College, Cambridge.  ]]></dcterms:description>
    <dcterms:abstract><![CDATA[An early collection of sacred music. The book includes large collections of chants, including polyphonic chants, composed to elaborate the older Gregorian chant.   The notation in the beginning of the book is strictly neumes but closer to the end the notation looks increasingly similar to the notation we use today.  ]]></dcterms:abstract>
    <dcterms:source><![CDATA[<a href="https://search.lib.jmu.edu/permalink/01JMU_INST/1jlet4m/alma991001915469706271" target="_blank" rel="noopener">JMU catalog (click to view)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[500 AD until 1400 ]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/64">
    <dcterms:title><![CDATA[The Eaton Choirbook.]]></dcterms:title>
    <dcterms:description><![CDATA[This book is the earliest of the Tudor Choirbooks and is the most complete one to have survived until present day. As a matter of fact, the choirbook was given the honor of being inscribed on the UK UNESCO Memory of the World Register joining the ranks of documents such as the Magna Carta and the Domesday Book. It was the first manuscript of music to receive this honor. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[It was originally used for religious services in the college’s chapel. The chapel choir would gather around the book to sing from it (can you imagine being the person who had poor vision &amp; couldn’t see the notes clearly?).  This facsimile as a whole is definitely one marvelous work – the art in it is spectacular (and sometimes a bit creepy)…]]></dcterms:abstract>
    <dcterms:source><![CDATA[<a href="https://search.lib.jmu.edu/permalink/01JMU_INST/1jlet4m/alma991001915569706271" target="_blank" rel="noopener">JMU catalog (click to view)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[1500 - 1504]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/66">
    <dcterms:title><![CDATA[Second grand concert]]></dcterms:title>
    <dcterms:alternative><![CDATA[Piano concerto no. 2 in F minor, op. 21]]></dcterms:alternative>
    <dcterms:description><![CDATA[Limited ed. of 500 numbered copies. “Facsimile edition of the manuscript held in the National Library in Warsaw (Mu. 215), edited by the Fryderyk Chopin Institue Warsaw, Bernardinum Pelplin, Yshodo Co. Ltd. Tokyo, 2005” – Colophon<br />
<br />
An accompanying Commentary volume and an audio CD are included.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Composed when Chopin was around 20 years old. His first love was his inspiration for this piece. The manuscript was evacuated out of Poland in the face of the German invasion in September of 1939. Many other manuscripts were lost or destroyed making this manuscript a valuable artifact. Learn more and find all the details surrounding this piece on the <a href="https://www.facsimiles.com/facsimiles/frederic-chopin-concerto-in-f-minor" target="_blank" rel="noopener">Ziereis Facsimiles website</a>.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Chopin, Frédéric]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://search.lib.jmu.edu/permalink/01JMU_INST/15ej0d6/alma991013282359706271" target="_blank" rel="noopener">JMU catalog (click to view)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[1829 - 1830]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/3">
    <dcterms:title><![CDATA[Put Life into Music]]></dcterms:title>
    <dcterms:description><![CDATA[Framed watercolor on silk painting by Shin’ichi Suzuki]]></dcterms:description>
    <dcterms:creator><![CDATA[Shin’ichi Suzuki]]></dcterms:creator>
    <dcterms:publisher><![CDATA[James Madison University Music Library]]></dcterms:publisher>
    <dcterms:created><![CDATA[1985]]></dcterms:created>
    <dcterms:format><![CDATA[Watercolor on silk with Japanese caligraphy (27&quot; x 10&quot;). English text written on the paper below the watercolor, looks like “Tone with Living Soul, please”. Unknown whether or not this was written by Suzuki. Mounted on paper, but unknown if it was mounted by Suzuki. Framed with matting by Donovan’s Framery in June of 2016.]]></dcterms:format>
    <dcterms:language><![CDATA[Japanese]]></dcterms:language>
    <dcterms:language><![CDATA[English]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/68">
    <dcterms:title><![CDATA[Messiah: HWV 56: autograph, the British Library, London]]></dcterms:title>
    <dcterms:description><![CDATA[The British Library and Barenreiter together made the autograph score to mark the 250th anniversary of Handel’s death.]]></dcterms:description>
    <dcterms:tableOfContents><![CDATA[First performed on April 13, 1742 with high acclaim.  In 2009, ]]></dcterms:tableOfContents>
    <dcterms:creator><![CDATA[Georg Friedrich Händel]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/1">
    <dcterms:title><![CDATA[Lithograph of Shin’ichi Suzuki]]></dcterms:title>
    <dcterms:creator><![CDATA[Scholtemeyer]]></dcterms:creator>
    <dcterms:created><![CDATA[1988]]></dcterms:created>
    <dcterms:format><![CDATA[Pencil on Paper (19&quot; x 24&quot;). Framed with matting by Donovan’s Framery in June of 2016.]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.lib.jmu.edu/thelittlegalleryunderground/items/show/63">
    <dcterms:title><![CDATA[Códice de canto polifonico]]></dcterms:title>
    <dcterms:alternative><![CDATA[Codex Las Huelgas<br />
Códice musical de Las Huelgas Reales de Burgos<br />
Codex Las Huelgas<br />
Códice de Las Huelgas]]></dcterms:alternative>
    <dcterms:description><![CDATA[This facsimile reproduction of the original Codex was created as a joint project of the publishing company Testimonio and the National Heritage agency of Spain. Using state of the art processes, specially manufactured paper, and great attention to detail, the codex has been faithfully reproduced here within leather binding, which is tooled in a 13-15th century Gothic style. 980 copies were created. <br />
<br />
Discovered by two monks in 1904, the  Códice de canto polifonico, or  Codex Las Huelgas, is a liturgical codex copied sometime between 1300 and 1325. It was preserved in the Las Huelgas convent founded by Alfonso VIII in Burgos, Spain. This codex is an important piece of musical and cultural history, as there is a strong possibility it was created for the use of the Las Huelgas nuns, who may have performed many of the pieces contained within.<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The codex comprises both monophonic and polyphonic pieces, in forms popular from the 11th to the 14th century. Nearly 190 pieces are included, and over half of them are unique to this manuscript. <br />
<br />
One of the last pages of the Las Huelgas Codex, shows an image of a seated man, who is receiving a blessing from a divine hand. The hand is giving him what looks to be a chained book, while the man proclaims “in manus tuas domine commendo spiritum” (“into your hands, Lord, I commend my spirit”). This leaf is very worn and faded, with some holes, but the vibrant red color and the man’s upturned eye can still be seen. ]]></dcterms:abstract>
    <dcterms:source><![CDATA[<a href="https://search.lib.jmu.edu/permalink/01JMU_INST/1jlet4m/alma991001915309706271" target="_blank" rel="noopener">JMU catalog (click to view)</a>]]></dcterms:source>
</rdf:Description></rdf:RDF>
